The Poetry of John Wilkinson - Monash University, Monday July 14

Please join us for a reading and discussion by leading English poet and critic John Wilkinson

Monday, July 14

3pm - 4.30pm
Room E561, Menzies Building
Clayton Campus
Presented by the Network for Literary and Cultural Studies
All Welcome

John Wilkinson is an English poet born in London and growing up in Cornwall and Devon. He was educated at Cambridge where he was taught most consequentially by J.H. Prynne. He now lives in Chicago, where he teaches in the Department of English and the Committee on Creative Writing at the University of Chicago, following an earlier appointment at the University of Notre Dame. His previous career in the UK took him from psychiatric nursing in Birmingham to teaching Community Care in Swansea, to public health in the East End of London. He has published six collections of poetry with Salt and a collection of critical essays, mainly on recent British poetry. He has subsequently published several critical essays on New York School poets, and lately has turned his attention to W.S. Graham and Dylan Thomas. His most recent book of poetry is Reckitt’s Blue from Seagull Books; and a new long poem, Courses Matter-Woven, will be published as a pamphlet by Equipage in 2014. John Wilkinson’s writing has received extensive critical commentary, including a conference at Sussex University, and he has read and lectured widely in the US, UK, Australia, China and Tibet.

For enquires, contact John Hawke (John.Hawke@monash.edu)

The Poetry of John Tranter - Monash University, Monday 12th May, 2014

Please join us for a reading and discussion by this internationally renowned Australian poet

Monday 12th May 2014

2pm-4pm
Room E561, Menzies Building
Clayton Campus
All welcome

John Tranter has published over twenty books of poetry and a book of experimental fiction, Different Hands. His latest major works are Starlight: 150 Poems (University of Queensland Press, 2010), which won the 2011 Age Poetry Book of the Year and the 2011 Queensland Premier’s Award, and Urban Myths: 210 Poems: New and Selected (University of Queensland Press, 2006), which won the Victorian Premier’s Prize for poetry in 2006, the New South Wales Premier’s Prize for poetry in 2007, the South Australian award for poetry in 2008 and the 2008 South Australia Premier’s Prize for the best book overall published in 2006 and 2007. He has compiled four anthologies of other writers’ work totalling over 1,500 pages, including co-editing the Penguin Book of Modern Australian Poetry (1991). He has made more than twenty reading and lecture tours to the USA, the UK and Europe.

John Tranter worked as a publisher’s senior education editor in Singapore, and as a radio drama and features producer, directing over forty radio plays and features for the Australian Broadcasting Corporation as well as managing a weekly two-hour national radio arts feature for some years. In 1997 he founded the free Internet literary magazine Jacket (http://jacketmagazine.com/), and in 2004 he founded the Australian Poetry Resources Internet Library (APRIL), the recipient (in 2006) of a half-million-dollar Australian Research Council Linkage Grant to the Department of English at the University of Sydney.

John Tranter is an honorary fellow of the Australian Academy of the Humanities, and has been awarded many grants and fellowships by the Literature Board of the Australia Council.

For enquires, contact John Hawke (John.Hawke@monash.edu)

DAMON KRUKOWSKI MASTERCLASS

Thursday 11 April 2-4pm
Room N702, Menzies Building, Monash (Clayton Campus)

Damon Krukowski from Exact Change Press will be discussing the
European avant garde contribution to literary Modernism, and the role
of specialist publishers in disseminating this work to
English-language readers. Along with other publishers, such as Atlas
Press, Green Integer, and Dalkey Archive, Exact Change has provided an
expanded view of the Modernist tradition, realigning the prevailing
orthodoxy of the Anglo-American canon for a generation of readers.

Exact Change publishes books of experimental literature with an
emphasis on Surrealism, Dada, Pataphysics, and other nineteenth and
twentieth century avant-garde art movements.

The press was founded in 1989 by Damon Krukowski and Naomi Yang, known
outside publishing as musicians from the bands Damon & Naomi, and
Galaxie 500. Exact Change authors include Guillaume Apollinaire, Louis
Aragon, Antonin Artaud, John Cage, Leonora Carrington, Giorgio de
Chirico, Salvador Dalí, Morton Feldman, Alice James, Alfred Jarry,
Franz Kafka, Lautréamont, Gérard de Nerval, Fernando Pessoa, Raymond
Roussel, Philippe Soupault, Gertrude Stein, Stefan Themerson, Denton
Welch, and Unica Zürn.

JAAP BLONK LECTURE/PERFORMANCE AND DISCUSSION

Monday, March 18, 2pm

Elizabeth Burchill Room, Building 68 (Performing Arts), G38

Clayton Campus, Monash University

Jaap Blonk is one of the world’s leading performers and practitioners of sound poetry, exploring the common ground between poetry and music without abandoning the semantics of language. His compositions and performances make use of words and phonetic snippets, as well as clicks, hisses, and other vocal manipulations. As a vocalist, Blonk is unique for his powerful stage presence and almost childlike freedom of improvisation, combined with a keen grasp of structure. His celebrated renditions of works by Dadaist pioneers such as Hugo Ball, as well as other major works of sound art including those of the Fluxus movement, have been presented throughout the world. One of his earliest influences was Kurt Schwitters, whose Ursonate he first heard in 1979; he memorized the entire work, and has recited portions of the piece hundreds of times. He works as a solo performer, in collaboration with avant garde musicians such as John Tchicai, Tristan Honsiger, and Mats Gustafsson, and with his own ensembles Splinks and BRAAXTAAL. This is his first visit to Australia.

“Jaap Blonk is a remarkable self-taught composer, performer, visual artist and poet. To see him on-stage is to be dumb-struck at first by the seeming oddity of his work – the presentation of abstract vocal sounds and extraordinary facial and bodily gyrations; if one can get past that, one marvels at the sheer inventiveness of his art. He is funny, serious and virtuosic at the same time. He is part sound poet, part sound technology artist, part experimental theatre performer, and he uses improvisation within a structure, or to shape the structure, in many of these modes. He takes his voice and body far beyond the normal range of expression which the rest of us use in daily communication.” – Boulderpavement

Anthology of Monash Student Poems 2012

Please find below links to poems by Monash ECPS undergraduate students from this year's creative writing classes:


Caitlin Murphy

Joel Lazar

Urvi Majumdar

Sarah Holley

Nicholas Robinson

Kristen Richards

Marissa Lee

Lynsey Swan

Jarryd Redwood

Christopher Bryant

Madeline Thornton-Smith

Hannah Clinton

Gavin Yates

Corinne Van den Hoek

Edwina Sleigh

Alexandra van Schildt

Anna Duve

Oscar Schwartz on the poetry of Chris Mann

Monday, September 17, 3pm, Menzies N702 (Monash Clayton)

                      Yr stuffed. Not coz yr wrong but coz yr looking in the wrong direction.

                        – Chris Mann

Chris Mann’s poetry is complicated to the point of breathlessness. When engaging with a Mann poem for the first time it is as if one has suddenly become dyslexic: the words are there, but their construction resists meaning. The complex façade of a Chris Mann poem is intimidating for any reader, so his readership is limited almost exclusively to the domain of the international avant-garde - more exclusively, to an international community of experimental composers.

This seminar will provide a point of entry into Mann’s work, and his exploration of cybernetics, linguistics, poetics and composition. Then comes the revelation: to read Chris Mann requires a new conception of what reading can be - as performance.

Gig Ryan - A Reading from New and Selected Poems

Monday, 10th September 2012, 2pm – 4pm

Elizabeth Burchill Rooms,
Building 68  (Performing Arts Centre), Clayton Campus

To celebrate the publication of her long-awaited New and Selected Poems (Giramondo 2011), Gig Ryan will be reading from and discussing her poetry. Her most recent book, also published in the UK, collects work from over three decades, and has been shortlisted for both the Australian Literature Society Gold Medal and the Prime Minister's Literary Awards.

Gig Ryan is the author of six previous volumes: The Division of Anger (1981), Manners of an Astronaut (1984), The Last Interior (1986), Excavation (1990), Pure and Applied (1998), and Heroic Money (2001). She has been awarded the C.J. Dennis Prize for Poetry in 1999, and the FAW Anne Elder Poetry Award.

As the critic Owen Richardson has written, her widely anthologised and influential poetry is,

‘the product of a thoroughgoing research into language where the materials, the data, are displayed, denaturalised: skidding jolting precipitate diction, counterpoints of stateliness and trashiness kept from incoherence by tightly organised sound and rhythmic systems, synaesthesia, catachresis, collage — it’s all absolutely modern….she may even have invented or at any rate done the best R&D on a whole new affect, elegiac sarcasm.’

Gig Ryan has been the poetry editor of The Age since 1998; she also works as freelance reviewer, and has written extended articles on Les Murray, Judith Wright, and Indonesian novelist Pramoedya Ananta Toer.

Presented by the School of English, Communications and Performance Studies and the Centre for Postcolonial Writing. Enquiries to Samantha Clifford.

arts.monash.edu.au/ecps/conferences